The Creation of the Humanoids (1962)

creationposter_3Who doesn’t enjoy mid-century science-fiction? Maybe I like it so much because we are now decades-removed from the prevalent paranoia that serves as its backbone; because its post-apocalyptic future is our kitschy past. I can look back and laugh at its naiveté, misogyny and general short-sightedness because we’ve come so far, right?

Well, yeah, maybe not that last part. And of course, not all science fiction of this period is laughable; a lot of it is legitimately good stuff. I can’t really say that’s true for The Creation of the Humanoids though! This movie is a god damn laugh riot! Seventy-five minutes of paranoid plot exposition, twists and turns that make no sense, and my favorite: the dismissal of women, even if they’re robots!

The setting is a dismal future after the atomic war. To make up for the loss in human population and low birth rate due to radiation, humans created a new breed of robots. The humans couldn’t tolerate working next to a robot that looked like a machine, so scientists worked hard to create robots that look like humans. But as the robot population grows, so does the backlash against them. The Order of Flesh and Blood is a large, aggressive conservative organization hellbent on wiping those pesky ‘clickers’ off the face of the Earth!

Robots and humans in collusion... but WHY?!

Robots and humans in collusion… but WHY?!

Trouble rears its ugly head when one of the heads of the Order, Captain Kenneth Cragis (that’s The Cragis to you) finds out his sister Esme is ‘in rapport’ with a robot! Well, this certainly won’t go over well with the Gents in The Order, many of whom already envy Cragis’s high position. He best go set Esme straight, because that woman needs her brother to tell her what to do, right?!

Well, Esme is pretty headstrong and she’s not having it. But the good news for Cragis is, he meets Esme’s friend Maxine while he’s over at Esme’s place. Party at Esme’s… at 2:30AM… just ’cause, I guess. By 4AM, Cragis and Esme are planning to get married, or ‘contract with one another.’ Cragis is still bummed about Esme’s unwillingness to ditch her robot husband, but thrilled to have met and fallen in love with his future contractor in the span of an hour and a half! I mean, who wouldn’t be? But you and I know, of course, trouble lies ahead…

Oh, Creation of the Humanoids, what a glorious disaster of a time capsule you are. On the one hand, I have to

I just can't get over The Cragis's pants. LOOK AT THOSE AMAZING PANTS!

I just can’t get over The Cragis’s pants. LOOK AT THOSE AMAZING PANTS!

admire its attempt at a positive message: don’t hate people (or, I guess in this case, things) that are trying to help you; don’t shake your fist at the advance of science and technology because you’re only hurting yourself, that kind of thing. But then I wonder how its ending can actually be consistent with that message. And no, I’m not going to spoil it for you, because the ending is so awesomely sweet you need to see it for yourself.

The presentation and pacing of this film is baffling. As I noted before, it really is nothing but exposition. There is not a single thing left up to the viewer to figure out on her own. Our friendly robot serves as narrator for virtually the entire movie. There are very few scenes where the action tells us anything, and when it does, it’s explained to us anyway – just in case we missed it. But don’t worry, that doesn’t actually mean the film is boring! The running time is short enough and the costumes and effects fun enough to gawk at that the seventy-five minutes will fly by like nothing. It is definitely worth watching, but only if you’re in it for the right reasons. I mean, I guess the movie is sort of thought-provoking, but being that it’s 2015 and these were thought-provoking ideas in 1962… well it’s kind of stuff most of us have figured out by now. I suppose you could twist some of the ideas into issues we’re dealing with today; like maybe replacing robots with climate change or something like that but frankly this movie’s probably better taken for what it is: a plea to the folks of 1962 to embrace technology, even if it means losing ourselves in it. Which, I guess here in 2015 we already have?


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